25.03.2025
For decades, Egon Schiele’s painting “Four Trees” remained within the walls of Austria’s prestigious Belvedere Museum, its past concealed by the shadows of history. Yet, behind its tranquil landscape lay a disturbing story of Nazi forced exile and a long journey toward justice. This article unravels the painting’s complex provenance, from its rightful owner, Dr. Joseph Morgenstern, through the state of Austria to its eventual restitution nearly a century later. Delving into Austria’s art restitution laws, the “Four Trees” case serves as a powerful example of how legal frameworks navigate the intersection of justice, history, and cultural heritage.
You can download the article here.
Note
This article is intended solely for informational purposes and does not constitute a legal assessment or advice.
